Way before the Hugo Awards were hijacked by the so-called Sad Puppies ― a group of mostly white men aiming to return to what they think of as the good ol’ days of science fiction ― there were women and writers of color using the genre to tell stories that deviated from the happy-go-lucky norm. The Puppies may claim their campaign is hinged on divorcing politics and storytelling, but sci-fi writers have long entwined the two, sometimes simply by sharing their own personal stories of oppression.
The tribune such writing: Octavia Butler, Hugo Award maven, MacArthur Fellowship recipient, and weaver of worlds closely resembling our own. Sometimes, Butler wrote books with optimistic visions of the future, where communities were more diverse and accepting, and genders were regarded as fluid.
But her work wasn’t always idealistic; in her celebrated early novel Kindred, a black protagonist is unwillingly cast back in time to meet her ancestors, one of whom is a slave in the antebellum south. It’s a bold reflection on the vividness of memory, a beloved classic, and, now, a newly adapted graphic novel. read more